Cedar Walton Discography Download
NYC, July 10, 1967 1. Turquoise Twice Prestige PR 7519; Original Jazz Classics OJCCD-6002-2 2.
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Twilight Waltz Prestige PR 7519; Original Jazz Classics OJC-6002 3. My Ship Prestige PR 7519 4. Short Stuff Prestige PR 7519; Original Jazz Classics OJC-6002 5. Suikoden 1 rom. Head And Shoulders - 6. Come Sunday Prestige PR 7519 7. Take The 'A' Train Original Jazz Classics OJCCD-462-2. Prestige PR 7519; Original Jazz Classics OJC-462, OJCCD-462-2 The Cedar Walton Trio, Quartet And Quintet - Cedar!.
Original Jazz Classics OJC-6002, OJCCD-6002-2 Plays Cedar Walton - The Prestige Collection 1968 Blue Mitchell, trumpet #1,3-5; Clifford Jordan, tenor sax #1,3-5; Cedar Walton, piano; Richard Davis, bass; Jack DeJohnette, drums. NYC, May 24, 1968 1. Higgins Holler Prestige PR 7591; Original Jazz Classics OJC-6002 2.
Days Of Wine And Roses Prestige PR 7591 3. Jake's Milkshakes Prestige PR 7591; Original Jazz Classics OJC-6002 4. Spectrum - 5. Lady Charlotte Prestige PR 7591.
Prestige PR 7591, PRCD-24145-2 Cedar Walton - Spectrum. Original Jazz Classics OJC-6002, OJCCD-6002-2 Plays Cedar Walton - The Prestige Collection 1969 Blue Mitchell, trumpet; Clifford Jordan, tenor sax; Cedar Walton, piano, electric piano; Bob Cranshaw, bass; Mickey Roker, drums. NYC, January 14, 1969 The Electric Boogaloo Song Prestige PR 7618 You Stepped Out Of A Dream - Impressions Of Scandinavia - Sabbatical Prestige PR 7618; Original Jazz Classics OJC-6002 Ugetsu -. Prestige PR 7618 Cedar Walton - The Electric Boogaloo Song = Prestige PRCD-24145-2 Cedar Walton - Spectrum.
Original Jazz Classics OJC-6002, OJCCD-6002-2 Plays Cedar Walton - The Prestige Collection James Moody, tenor sax, flute; Cedar Walton, piano, electric piano; Rudy Stevenson, guitar; Reggie Workman, bass, Fender bass; Al 'Tootie' Heath, drums. CI Recording Studio, NYC, December 10, 1975 Bolivia Timeless (Du) SJP 101 Naima - 5/4 Thing - Bittersweet - Mode For Joe -. Timeless (Du) SJP 101, (US) TI 306, (J) RJ-6047 Cedar Walton, George Coleman, Sam Jones, Billy Higgins - Eastern Rebellion Roy Burrowes, trumpet; Wayne Andre, trombone; Charles Davis, Frank Foster, sax; Cedar Walton, keyboards, arranger; Cedar Walton, synthesizer; Ryo Kawasaki, electric guitar; Gordon Edwards, bass; Steve Gadd, drums; Omar Clay, Ray Mantilla, percussion; Adrienne Albert, Lani Groves, vocals. Mediasound, NYC, May 17, 1976 Manteca East Wind (J) EW-10002 Darn That Dream - Una Mas - D.B.
Sage & Sound Studio, Hollywood, CA, December 15, 1980 1. The Maestro Muse MR 5244 2.
Rhythm-a-ning - 3. Not In Love - 4. In A Sentimental Mood - 6. Blue Monk - 7.
On The Trail -. Muse MR 5244 Cedar Walton, Special Guest Abbey Lincoln - The Maestro = Muse MCD 6008 Cedar Walton, Spec!al Guest: Abbey Lincoln - The Maestro Freddie Hubbard, trumpet; Steve Turre, trombone; Emanuel Boyd, flute; Bob Berg, tenor sax; Cedar Walton, electric, acoustic piano, Ebe piano, arranger, conductor; Tony Dumas, bass; Al Foster, Buddy Williams, drums; Rubens Bassini, Ray Mantilla, percussion; Leon Thomas, vocals. Clinton Recording Studios, NYC, January 9 & 10, 1996 Martha's Prize Astor Place TCD-4001 The Vision - Happiness - Minor Controversy - Hindsight - Underground Memoirs - Theme For Jobim - Groove Passage - Groundwork -.
Astor Place TCD-4001 Cedar Walton - Composer 1997 Terence Blanchard, trumpet; Don Sickler, trumpet, flugelhorn; Scott Whitfield, trombone; Willie Williams, soprano, tenor sax; Bobby Porcelli, alto sax; Joshua Redman, tenor sax; Gary Smulyan, baritone sax; Cedar Walton, piano; Mark Whitfield, guitar; Ron Carter, bass; Lewis Nash, drums; Ray Mantilla, percussion.
For over 25 years, pianist Cedar Walton has enjoyed an uptempo career, which never seems to slow down. Maintaining a non-stop itinerary, Walton has accompanied a litany of Jazz greats while also fronting his own successful groups. Born January 17, 1934 in Dallas, Texas, Walton set his sights on a career in music at an early age.
An after- hours gig at the Denver Club introduced him to notable musicians like Charlie Parker, Dizzy Gillespie and John Coltrane, who would sit in with Walton's group when they passed through town. For over 25 years, pianist Cedar Walton has enjoyed an uptempo career, which never seems to slow down. Maintaining a non-stop itinerary, Walton has accompanied a litany of Jazz greats while also fronting his own successful groups. Born January 17, 1934 in Dallas, Texas, Walton set his sights on a career in music at an early age.
An after- hours gig at the Denver Club introduced him to notable musicians like Charlie Parker, Dizzy Gillespie and John Coltrane, who would sit in with Walton's group when they passed through town. From there, Walton ventured to New York and began to work locally with Lou Donaldson, Gigi Gryce, Sonny Rollins and Kenny Dorham before landing his first touring job with J.J. Soon after, the pianist made his recording debut backing Kenny Dorham on the Riverside album Kenny Dorham Sings. He also made two records with J.J. Johnson' s group on Columbia Records before joining the Art Farmer/Benny Golson Jazztet, a group he toured and recorded with for two years. Walton's next major musical association was with Art Blakey and the Jazz Messengers.
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During his three years tenure with Blakey, Walton stepped forward a composer, contributing originals like Mosaic and The Promised Land to the group's recordings for the Blue Note and Riverside labels. Walton left the Jazz Messengers to lead rhythm sections and trios throughout the New York club and recording studio circuits. His debut recording as a leader came in 1966 with the release of Cedar on Prestige Records. From the late '60s to early '70s, Walton kept steady company with bassist Sam Jones and drummers Louis Hayes and Billy Higgins in multi-purpose trios that occasionally annexed saxophonists Clifford Jordan, George Coleman or Bob Berg for specific tours and albums. During the '80s, Walton embarked on a variety of interesting projects, which have grown into lasting affiliations.
In 1981, he formed a trio with Ron Carter and Billy Higgins, which clicked right from the start. Around the same time, Walton became part of the Timeless All-stars, a sextet also featuring Harold Land, Bobby Hutcherson, Curtis Fuller, Buster Williams and Billy Higgins. Walton also ignited rhythm sections behind the likes of Milt Jackson, Frank Morgan, Dexter Gordon and vocalists Ernestine Anderson and Freddy Cole, and held the piano chair of The Trumpet Summit Band. Walton's efforts have been well documented on record. In addition to a host of dates as a sideman, the pianist has been recording with his own groups at a prolific rate, as evidenced by an assortment of albums on the Timeless, Discovery, Red Baron and Steeple Chase record labels. Walton is one of the most influential musicians active today.
His original compositions like Bolivia, Clockwise and Firm Roots are frequently recorded by other musicians, and have become part of the standard Jazz repertoire. His playing regularly receives praise from critics, fellow Jazz musicians and audience around the world. Cedar Walton has emerged as a true master of the music he loves.