Retro Synths 1980s By Puremagnetik RARE
YouTube Published on Jul 11, 2012 by sugarcubemusic 'Hi - my demo of this awesome and quite rare analogue machine, if you remember the Roland TB303 you'll love it, I've owned it from new but hardly used. It's for sale on Ebay - Check It Out: ) Visit My Website at: www.sugarcubemusic.com' via 'Welcome to my auction for this awesome FAT FB383 synth module - this is a fantastic TB303 clone but even more - it has a superb filter which lets you use its built filter to treat external sources / synths etc. + a variable waveform (which the Roland TB303 doesn't have). I have owned this from new, it cost me £199 but I've hardly used it (the studio work I have done over the last several years simply hasn't allowed me to really use this). Grab yourself a fantastic piece of Analogue Vintage Kit - (these are quite rare now).'
Audio Plugin Deals has launched a sale on Retro Synths 1980s, a bundle of 9 sample libraries by Puremagnetik at a huge 90% discount. Retro Synths 1980s +Plus (available in Kontakt and Logic formats) teleports your studio back to the days of big hair, neon spandex, catchy lead riffs and of course. Puremagnetik Retro Synths 1980s KONTAKT-LOGiC-LiVE. DeeEx: Enter the synthesis FM of 1983 with DeeEx of Puremagnetik! This collection of sounds includes pads, cables, bass, percussion and more, all captured from the legendary Yamaha DX7 synthesizer.
Via 'Up for bid here is a Synare Sensor drum trigger/synthesizer made in 1979 or thereabouts by the late, great Star Instruments Co. Out of Stafford Springs, CT. It's a smaller version of the legendary Synare drum synthesizers that was designed to be screwed down onto the rim of a drum. Now it's more often used as a finger-controlled portable analog synthesizer. This thing has a ton of sonic possibilities in a very few ounces of box.
And this particular box is in impeccable, sparkly, like-new condition, looks and plays great! Physically, the front has knob controls for Tune, LFO Frequency, LFO Modulation, Decay, Oscillator Sweep, and Volume.
There's also an internal trim pot you can turn to adjust the sensitivity of the unit, accessible either by opening up the case or by inserting a thin non-conductive screwdriver in the little hole between the MOD. And SWEEP knobs. On the back is a 1/4' output jack, a 1/4' footswitch in for silencing the output, and a 1/4' footswitch out for chaining the footswitch to multiple pedals. There's an easily-removable bracket on the bottom for screwing the Sensor down on the rim of your drum. Dimensions are 3' by 4' by 6.25', including the knobs and the attachment bracket, weighs about 11 ounces with the battery installed.
Speaking of which, the unit runs on one 9-volt battery, included in this auction. Sonically, I'll let a couple YouTube videos tell the story. The first one here is a fellow who's attached his Sensor to his drum rim, as Star Instruments originally intended, then run it through a looping pedal as Star Instruments originally never could have imagined:' YouTube Uploaded by MrRitchieDrums on Jan 14, 2011 'Next one's a guy working it out on his Sensor with just his fingers for a full six minutes. (I think I even hear a bit of the Star Spangled Banner in there in the middle.) (And keep in mind he's just playing it through a simple tube amp. Imagine this going through a nice chain of effects pedals!)' YouTube Uploaded by amukat on May 24, 2010. YouTube Published on Apr 24, 2012 by SynthStuff Prototype videos below.
'Details All aluminium contruction. Front panel LED matrix Oscilloscope showing the pre-filter sound. Two digital oscillators: 12 sweepable wavetables with smooth and stepped modes and sweep direction.
24 single cycle waveforms which can be mixed using Add, Xor, Split, Phase Distortion or FM. And an additional PWM mode. Waveshaping options - Layer, Sync, Fold, Shape, Phase Distortion 1, Phase Distortion 2, Phase Distortion 3 Two analogue filters - Filter 1: 12dB/Oct LPF/BPF with overdrive Filter 2: 24dB/Oct LPF/Notch with variable notch mode Three LFOs and two analogue ADSRs 120 step programmable sequencer, records note value and velocity. Midi In and Thru.'
YouTube Published on Jul 15, 2012 by macbethsynthesizers 'Here is the first demonstration video of the MacBeth micromac -r 3U Eurorack module. This short video will give you some idea of the smooth sound of this synthesizer! There is some interesting lead and bass going on here.I'm using a Korg Prophecy as a keyboard controller and a Kenton Pro4 to drive the micromac!' Strangelands Published on Jul 15, 2012 by macbethsynthesizers 'Here's an odd video that I've done featuring both the micromac-r and the micromac-d pre factory assembly models. Instead of doing the lead synth stuff that I usually do- I let the micromac-d sample and hold itself.
It's gating itself too! The micromac -r sounds almost choir like with a lot of cross mod happening from oscillator 3. And then there's the crappo analogue radio happening in the background on poor reception shortwave!'
Via 'I fired up the micromac-r this morning! Always a scary one when one has built the thing totallky by hand.
I works absolutely perfectly.straight off! This now means the micromac-r and micromac-d synthesizers can go off for assembly this week!'
Via 'Despite the delay in web updates, PALette V2s are complete and pre-ordered units have all shipped. Thanks for your patience and support! As for the first run, there is still ONE unit uncalled for. If you would like this unit, now is your chance–. We are currently on a summer vacation in Japan but will be back in Seattle full force in August to prepare for the second run and ship the remaining units ordered from the first run.
As for those who have ordered after July 2 from the first run, you will receive your V2 in August at your doorstep in time for your summer jamming needs. Thanks for checking in! Get more frequent updates from MEM and new photos up at our.' Synare 3 clone for sell (part one) YouTube Published on Jul 13, 2012 by RuprechtM via - Part two video below. 'TURN ANNOTATIONS ON! Synare 3 clone for sell.
Feel free ask for anything at nedeleseznam.cz Sound is triggered by clicking to front panel or by external drum pad or external audio signal. Anodized aluminium housing, CNC engraved labeling, darkened (stained) lacquered oak wood sides with wood natural pattern. Built like a tank:) Oscillator no.1 - tune + on/off/noise switch Oscillator no.2 - tune + on/off/slow (can be used as LFO) switch Filter section (24dB/oct VCF) with tune / modulation (by osc2) / sweep / resonance / decay. Filter is self-resonating at max setting (see part two). Amplifier section with decay and volume knobs. Input gain (sensitivity) knob and trigger input connector added against original Synare 3.
Built by me, based on the schematic from service manual with some changes (and improvements). Clone tech info: Battery saver circuit is omitted, powered by wall adaptor only, no batteries. CA3080 OTAs used in orginal are replaced by newer LM13700 with same (or slightly better) performance. Quality components are used, metalized resistors, polypropylen WIMA and tantal capacitors in signal path (elyts in power source of course), smooth potentiometers, rubbered (softened) buttons. Great for sampling or live performance or you can use it with analog sequencer/synth You can connect external drum pad into Trig In connector for live drumming.
Or connect individual output from your drum machine to Synare´s Trig in and 'replace' internal sound by Synare´s pure analog sound. Connectors jack 1/4' (6,3mm): Trig IN, OUT.
Powered by DC 12V wall adaptor (positive center) - protected from wrong polarity. Dimensions cca 21x13x8cm (cca 8x5x3 inches).' Synare 3 clone for sell (part two) - with self-resonating filter via. Via 'Here is the chance you've been waiting for!
For sale is an incredible rare EMS Synthi A with DK1 keyboard, the classic vintage analog synth as used by Brian Eno, Pink Floyd and many more. This Synthi is in great cosmetic condition and fully functional. A few scruffs/sticker residue on the outside case, but the inside looks near mint and very clean. Serviced 5 years ago by the original manufacturers in the UK and barely used since.
It's been very well taken care of. Includes the DK1 cricklewood keyboard which adds a whole range of possibilities and control. Also comes with the lid and complete with all the pins plus 9 extra pins, keyboard and power cable. Runs off 220-240v but step up transformer is included to use in 110v countries. Sounds incredible, I have owned many vintage synths and this one is the coolest and most unique.
Amazing EMS sound you need to hear to believe, can get very raw, and with the patchpin interface it gets you to come up with sounds you'd never get otherwise. See pictures below for more details. Payment must be made by bank transfer, no paypal. Payment must be made within 24 hours.
Retro Synths 1980s By Puremagnetik Rare Money
Can also potentially deliver in person to anywhere in the bay area, LA or San Diego. Don't miss out on this one in a lifetime chance to own a rare classic!'
Via 'Module comes with box, screws and ribbon cable - analogue Tom Tom based upon MFB-503 CV-control for Decay, Tune, Pitch and Panorama parameters Noise and Attack controls dynamic trigger-input The DRUM-06 module is based upon the Tom Tom circuit found in the MFB-503. The sonic possibilities have been expanded for extensive editing and modulation capacities. DRUM-06 is meant to be used in a modular synthesis system.
Therefore, most of the Tom Tom’s sound parameters, i.e. Decay, Tune, Pitch and Panorama, can be put under CV-control. This allows sound manipulation from envelope generators, LFOs, step-sequencers and many other modules. The Tom Tom parameters in detail: Decay sets the decay time of up to two seconds for both tonal oscillators. Tune defines the Tom Toms’s basic pitch between 80 to 300 Hz. Pitch controls the duration of a pitch-modulation with fixed modulation intensity. Panorama allows stereo positioning of the Tom Tom because of its dual outputs.
Attack sets the attack sound component when a virtual drumstick hits the drumhead. Noise adds a noise component to the sound. Triggering of the Tom Tom is possible through various signal types. Besides analogue and digital trigger-signals, drum-pads, piezo- and dynamic microphones may be used because of variable input sensitivity.
Dynamic triggering will not only affect the sound’s volume but also decay and pitch. The module has a width of 60 mm (12 TE).
UK bidders only please -'. Via Via the seller: 'this one has some amazing history! I bought this when I was working as an assistant engineer at the famous Hit Factory Recording Studios NYC. The gentleman that sold it to me was the Multi-Grammy winning producer and engineer Goh Hotoda. He has produced albums for Depeche Mode, Madonna, Missy Elliot, Chaka Kahn, Babyface, Janet Jackson, Cyndi Lauper, and the list goes on. His website is Hotoda.com if you want to check it out. He had owned this synth since the 80s and from what he told me, it was used on some big albums like Depeche Mode's 'Violator', and recordings played by some of the best musicians of all time.'
YouTube Published on Jul 15, 2012 by bubagoo 'This video is of TWO linked NovaDrones WITH REVERB. I don't normally add effects to my instruments for videos but it sounds so good that I couldn't resist. I'm currently looking into methods of building reverb into future models. This is the third iteration of the NovaDrone I have designed over the past few months.
One of the main developments over the last version is the addition of a link port which lets you plug multiple units together to share power and mix the audio to a single output. The NovaDrone is an analog sound and light synthesizer.
It is completely open source and hackable. I will be selling (as of august 2012) PCBs, kits and assembled units or you can just use the plans to build your own.
More info here: http://casperelectronics.com/finished-pieces/nova-drone/'. Via where you will find the full interview. A couple of excerpts: Isao Tomita on picking up the Moog synthesizer: 'How did you come to buy one? Isao Tomita: At first, I had no idea where to buy it. Back in 1970, when we didn't even have a fax machine, I used a telex machine to contact people in Hong Kong. I found out that the Moog company was located in Buffalo, New York. I flew over there, and was shocked to see that the main office of a cutting-edge company like Moog was located in a simple, storage-shed-type building, in the middle of nowhere.
I said to myself, 'They make intricate machinery in a place like this!?' So you went there and asked to buy the Moog III P directly. How much did it cost? Isao Tomita: Back then, one dollar was 360 yen, and the Moog synthesizer was considered a luxury item, such as a foreign car, so the tariff rate was over 200%. It cost somewhere around 10 million yen (roughly $125,000) in today's value. Also, in those days we didn't have customs brokers like we do now, and if goods had problems clearing customs, the person importing the goods had to actually be there. So at customs, they asked me what this machine was.
I told them that it was an instrument, and they didn't believe me. They said, 'Then, play it.' On Isao Tomita meeting Hideki Matsutake: 'And around that time you met Hideki Matsutake? Isao Tomita: Yes. I was becoming increasingly busy around then, so I had Matsutake manage me at a music production company he was working for back then. When I started to understand which cords to connect to create the right sounds I decided I'd let some younger guys try it, so I invited Matsutake.
With Moog, you have to keep the power on all day for it to work properly, so when I wasn't using it, I'd let others use it. I would use it from 8 PM to 4 AM, and then there would be a group using it from 4 AM to noon, and then another group would come in and play around with it until 8 PM.
Hideki Matsutake: I worked during the day, so I would come in and play the Moog at night, and I remember falling asleep under it. Tomita never taught us how to use the thing, so I had to learn it on my own. I've always liked playing with machines since I was a kid, so I understood the functions of the device fairly quickly, but knowing where to connect the cords to render sounds that are listenable was a completely different story.' Full interview. 'We, Endorphin.es are a group of synth enthusiasts from Vienna/ Austria, engineering modular synthesizers for sound design and contemporary art. The summer of love starts today, on Friday 13th.
After a few years of development we would like to announce the first eurorack module from our upcoming product series, the 'Furthrrrr Generator'. You maybe know, which famous module our 'Furthrrrr Generator' is inspired. Some of you already had the opportunity to hear plenty fabulous demos by Kent in his '. Main features:.
30 HP width, up to 1' in depth (super slim and therefore skiff friendly). All analog signal path inspired by and based on famous west coast synthesis — a module within the idea of harmonic generation based on additive synthesis theory. 2 discrete OTA triangle-core VCOs both with hard- (resetable) and soft- (inverting) syncs. Jim's Tips & Tricks: MIDI Guitar Control of Little Phatty - Shredder for iPad YouTube Published on Jul 15, 2012 by jimmclaren1 'Apologies for the dark, grainy video! Was in the moment and just turned the camera on and didn't bother to set up the light;) This is a video showing how you can cheaply control a MIDI keyboard (such as my Moog Little Phatty) with a guitar using the iPad app, SHREDDER (by Yonac Inc.).
Pitch to MIDI control, tracking isn't amazing but I feel like it's kinda cool anyway. Decided to try a little jam to see what I could do with the setup. Thanks for watching!