Madly Short Film
You can view the trailer for the movie on the official website,. NME Talking to Pitchfork, Khan described her work: “It’s about a bride, the morning of her wedding, being disturbed by subterranean weird feelings, messages and signs.
Madly, which debuted yesterday as part of the International Narrative Competition at this year’s Tribeca Film Festival does, however. Structurally, the feature is composed of six short films.
Madly Short Film Online
On the way to her wedding, something really crazy happens, and you’re left wondering whether she’s gonna go through with it. It’s all about redemption of grief, putting ghosts to bed before you can move into a fully committed relationship. It’s very countryside, weird, English, surreal.”.
Khan’s part of the film is described on the official website as follows: “Just in time for her wedding day, a young bride-to-be encounters a ghost from her past. She comes to welcome the encounter, allowing her to move forward with her new life.” The singer is also working on ‘Gotcha’, a short film for Film4 commissioned last year, and worked on fashion movie ‘Under the Indigo Moon’, which she also starred in and soundtracked together with. Khan has expressed her desire to move on to feature length productions.
Tamil Short Film
More Reviews Kashyap found the perfect apartment to shoot it all, with a birdcage-style balcony reinforcing Archana’s trophy-like status: She’s meant to be seen (fully clothed, of course) but denied independence. Allwyn, probably only a decade younger but fluent in internet temptations, is carnally more aware yet lacks experience, plus he has youth’s selfishness. The performances are especially strong during this segment. Wasikowska’s “Afterbirth” is a more sensory film, featuring a young woman (Kathryn Beck) full of love for her newborn son but completely unequipped to be a mother. Lacking any know-how and apparently completely alone in the world, she looks with covetous wonder at other new parents. The helmer, in her second omnibus short, uses a montage style of impressionistic counterpoint, juxtaposing full-screen images in Academy ratio to convey mood and a sense of an interior life otherwise not obvious in this strange, and strangely quiet, woman.
Musical choices, including Melanie Safka’s “Brand New Key,” perfectly suit the quirky material. “Dance Dance Dance” is more straightforward, with occasional clumsy moments. Bronx teen Rio (Lex Santos) meekly tries to kiss older show-off friend Diami (Antonio Stewart), who flips. Dejected, Rio returns home and blurts out to his religious parents that he’s gay, whereupon his father (Marshall Brandon) kicks him out.
On the street at night, Rio finds a homeless shelter, but the female supervisor (Jo Young) tries to sexually molest him until a protector comes along. Director Silva (“The Maid”) has a lively style but subtlety is not a strong suit. The same can be said for, whose “Love of Love” is a very clean celebration of sexual subversion. Younger daughter Mio (Ami Tomite) is engaged to Shota (Dai Hasegawa), but they’re not giving up their wild side, scandalizing her married sister Sayaka (Yuki Sakurai). That is, until Mio brings Sayaka and her husband Takuya (Eita Okuno) to the Love of Love sex club, where pleasure and fulfillment are enjoyed by all.
There’s nothing genuinely outre in Sono’s conception, just a candy-colored fantasy evocation of sexual hijinks, and while it’s all mildly amusing, the emphasis is on the mild. Film Review: 'Madly' Reviewed at Tribeca Film Festival (International Narrative Competition), April 15, 2016.
Running time: 106 MIN. Production: (U.S.-U.K.-India-Australia-Argentina-Japan) A Viacom Media Networks production, in association with Rei Cine, Cowboy Films, Scarlett Pictures, Phantom Films, Diroriro, Nikkatsu Corporation, Django Film. Produced by Eric Mahoney. Executive producer, Nusrat Durrani. Crew: Music, Yat-Kha. Clean Shaven 22 MIN. Executive producers, Madhu Manikramaditya Motwane, Vikas Behl.
Co-producer, Dipa de Motwane. Directed by Anurag Kashyap. Screenplay, Kashyap, Eisha Chopra. Camera (color), Jay Oza; editor, Prerna Saigal; music, Karan Kulkarni; production designer, Dhara Jain; costume designer, Shruti Kapoor; sound, Manik Batra, Vinit D’Souza; line producer, Tanvi Gandhi; 1 st assistant director, Bharati Bahrani; casting, Mukesh Chhabra.
Radhika Apte, Satyadeep Misra, Adarsh Gourav, Salone Mehta, Yashwant Singh, Manya Shah. (Hindi, English dialogue) Afterbirth 14 MIN.
Produced by Kath Shelper. Directed, written by Mia Wasikowska. Camera (color), Stefan Duscio; editor, Mat Evans; music supervisor, Kim Green; production designer, Annie Beauchamp; art director, Charlie Revai; costume designer, Amelia Gebler; sound, Liam Egan; sound mix, Robert Sullivan; line producer, Fiona Pakes; 1 st assistant director, Emma Schofield. Kathryn Beck, Emma Lung, Kate Mulvany, Ewen Leslie, Alison Collins, Benjamin Scott, Lyn Lee, Joseph Solano.
Dance Dance Dance 16 MIN. Produced by Charlie Dibe. Directed, written by Sebastian Silva. Camera (color), Shawn Peters; editor, Sofia Subercaseaux; music, Danny Bensi, Saunder Jurriaans; sound, Stephen Sean Hewett, Eli Cohn; associate producers, Jeanne Applegate, Sam Knowles; 1 st assistant director, Russ Finkelstein; casting, Jessica Daniels, Tuffy Questell.
Lex Santos, Antonio Stewart, Oladimeji Akinwande, Erika Wood, Marshall Brandon, Savion Nembhard, Jo Young, Bernard Mayhew. Love of Love 16 MIN. Produced by Shinjiro Nishimura, Azusa Yamashiro, Naoko Komuro, Sion Sono.
Executive producer, Akifumi Sugihara. Directed, written by Sion Sono. Camera (color, b&w), Hajime Kanda; editor, Junichi Ito; music, Susumu Akizuki; production designer, Yoshio Yamada; costume designer, Tomomi Kato; sound, Hiroshi Ishigai; line producer, Tomoo Fukatsu; associate producer, Yuko Sadaki; 1 st assistant director, Shinya Ayabe. Mariko Tsutsui, Yuki Sakurai, Ami Tomite, Asami Shibata, Akari Ozawa, Dai Hasegawa, Eita Okuno, Kei Nagase, Masahiro Toyota, Yukimasa Tanimoto, Chihiro Shibata, Taro Suwa. (Japanese dialogue) The Love of My Life 14 MIN.
Producer, Eric Mahoney. Executive producers, Nusrat Durrani, Santiago Gallelli, Matias Roveda, Benjamin Domenech, Gael Garcia Bernal. Directed by Gael Garcia Bernal. Screenplay, Garcia Bernal, Mariana Chaud. Camera (color), Julian Ledesma; editor, Sebastian Schjaer; music supervisor, Lynn Fainchtein; art director, Lucia Carnicero; costume designer, Betiana Temkin; sound, Maximo Pochiero, Francisco Pedemonte; line producer, Gonzalo Tobal; 1 st assistant director, Martin Vilela; casting, Katia Schejtman.
Justina Bustos, Pablo Seijo, Mariana Chaud, Fernando Tur, Diego Barca, Alan Goldbaum. (Spanish dialogue) I Do 16 MIN.
Produced by Alasdair Flind. Executive producer, Charles Steel. Co-producer, Geraldine Hawkins.
Directed, written by Natasha Khan. Camera (color), Chloe Thomson; editor, Arttu Salmi; production designer, Jacqueline Abrahams; art director, Ruta Daubure; costume designer, Jane Petrie; sound, Paul Paragon; Jack Gillies; 1 st assistant director, Robyn Barresi; casting, Theo Park. Tamsin Topolski, Emma Fielding, Vincent Franklin, Zoe Castle, Sarah Ridgeway, Camille Ucan, Leanne Flinn, Debra Baker, Barry Ward, Joe Dempsie, Gerald Kyd, Betty Flind.