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May 16, 2008 - The Pevensie siblings return to Narnia, where they are enlisted to once again help ward off an evil king and restore the rightful heir to the land's throne, Prince Caspian. The Chronicles of Narnia: Prince Caspian is an entertaining family adventure worthy of the standard set by its predecessor. Watch->> The Chronicles of Narnia: Prince Caspian 2008 Full - Movie Online. The Chronicles of Narnia: The Voyage of the Dawn Treader (2010) Watch Online Full Movie Free Streaming Cenflix. Poster Of The Chronicles of Narnia 1 (2005) Full Movie Hindi Dubbed Free Download Watch Online At Alldownloads4u.
Four children from the same family have to leave their town because of the bombings of WWII. A women and a professor take the children to their house. While playing a game of hide-and-seek, the youngest member of the family, Lucy, finds a wardrobe to hide in. She travels back and back into the wardrobe and finds a place named Narnia. After going in twice, the four children go in together for the last time. They battle wolves, meet talking animals, encounter an evil white witch and meet a magnificent lion named Aslan.
Will this be the end of their journey to Narnia or will they stay? To sum things up: I loved this movie. Alice munro selected stories pdf download. I had been waiting for it ever since it was announced, so of course I couldn't pass up the chance to see a press preview this morning. And, while there were some definite weaknesses (mostly in the quality of the animations), overall I was completely convinced.
Naturally it did not coincide 100% with my own vision of Narnia visually, but emotionally it rang absolutely true, choking me up several times and really touching me. I walked out of the theatre with a warm, contented feeling - just like I feel every time I read C.S. The stand-out performance was definitely Tilda Swinton's as the White Witch, but I liked all actors/voices, from cute little Lucy (newcomer Georgie Henley) to majestic Aslan (Liam Neeson). I thought the children did a great job, considering their relative inexperience and the amount of blue screen work involved. Tip: Stay seated through the actor credits - afterwards there's another small scene.
Last warning for spoilers: After falling in love with 'The Lion, the Witch, and the Wardrobe,' I was expecting an amazing sequel from the same people. 'Prince Caspian' was a disappointment, however. The changes made from the book were so many and extreme that Adamson (the director) completely altered the theme of the story. The character of Peter was so changed that one questions what exactly he learned from Narnia that he will not be allowed to return. From the fighting at the beginning of the film in England because he is upset about being young again to the power struggles with Caspian, his title of 'The Magnificent' was sullied. Caspian fared no better. In making him an adult and Miraz the Lord Regent, they made a crown Prince not even knowledgeable about the fact that the throne is his and that no other Lords who are suspicious of Miraz ever talking to Caspian about his birthright.
That is unrealistic. Even worse, they turned Caspian into a vengeful man who jeopardized a mission to attempt to avenge his father's death. What was worse, however, was that Adamson chose action and battle scenes to character development. There were so many characters introduced but none of them were rounded out. It felt as if the characters were background to the action. They did what they did because they were supposed to rather than any meaningful reason due to their personality. As a Narnia book series fan, this was a major disappointment.
It really felt like Adamson redid a mediocre medieval war movie adding Narnian characters for effect. This movie isn't half as charming or eloquently magical as the first, but it engages nonetheless. There's something about the young actors chosen to play the four major roles- Peter, Edmund, Susan and Lucy. They badly make you wish you were in their shoes. The film in itself is often reminiscent of LOTR, but the major difference being in a childlike simplicity this one retains. Aslan, despite not having much of a role, manages to be the most striking character, and Lucy is as lovable as she was in the first film. The battle scenes are brilliant, as are the landscapes.
The power politics and senselessness of violence are dealt with a lot maturely in this film as compared to the first installment. At some point you realize you want at least a dozen more films revolving around these four siblings, and to be able to access Narnia for ever. The only thing that ruins this film is this strange invasion of Hollywood-like romance as a very annoying little subplot, and the sudden intrusion of a ridiculous song at a climactic point. Apart from that, I am pretty sure any fantasy-hound would enjoy this film a lot, and especially so if you're a big Lewis fan. I am a Narnia obsessed nerd, so of course I went to see it the night it was released. I had very high expectations because the first movie was so true to the book.
However, with this film that wasn't the case. The screen play was pretty much completely rewritten and included only hints of the original story. I suppose Disney felt it necessary to add in lame typical movie elements that attract mainstream moviegoers.
For example a sub-plot romance between Caspian and Susan and battles that never existed. This movie not only failed to develop the characters and events as well as the book, it changed the characters and situations that it did develop. Since the Chronicles of Narnia are a series of widely read and revered books I had to give my first rating of a 1 for this film. We went opening night and I was very disappointed and my wife was in tears by the end because of her disappointment.
So much of Lewis' humor was lost in favor of an action movie plot with running battles, some added that aren't in the book while other important pieces from the book are left out. It became just one long tedious battle. And a romance between Caspian & Susan?
We love those books so very, very much that it was painful to watch. Our children ages 21, 18 & 15, who were raised on Narnia, were not just disappointed but angry. My eldest daughter was livid.
Her close friend whom we had introduced to Narnia just two years ago was very unhappy with what was left out of the film not to mention all that was added. My wife and I felt it was as if the person who wrote the screenplay hadn't read the books at all.
Two revealing things we noticed too were during the opening credits with Actors and Directors and Producers names in huge type, it seemed to us that 'From a book by C.S. Lewis' was in much smaller type. Also, during the previews of coming attractions, there was another fantasy movie advertised and it had in large print, 'From a writer of the Chronicles of Narnia'. They must have been referring to a screenwriter, but it was very aggravating! There was only one author of the Chronicles of Narnia and it was C.S. Interestingly, they decided to cast all the Telemarines as evil Spaniards.
I found that fascinating and would like to know the rationale behind that? In the books, the girls do not participate as warriors, Aslan having said war is unpleasant and decidedly so if girls participate. However, in the movie, Susan is a major warrior and is seen leading Narnians and firing her arrows into Telemarines all over the place. At the final climax and their departure from Narnia, (she and Peter for the last time) she and Prince Caspian first exchange longing glances, which you've been aware of all throughout the film, and then they passionately kiss! I'm all for that of course, but not in this movie about this book.
To quote a little boy who was sitting with his grandfather in front of us, 'That was yucky!' Director Andrew Adamson, who helmed the first installment in the series, after making his career primarily in animation (including the original 'Shrek') seems decidedly more comfortable in his role as a live action director this time around, and he handles the scope and the pacing of this epic adventure with a polished skill that is a very pleasant surprise.
In addition, Georgie Henley, Skandar Keynes, William Moseley and Anna Popplewell, returning as the Pevensie children, have matured, not only physically, but in their acting ability. There is a deftness and self assuredness this time around that surpasses the original, and makes for an extremely entertaining film. The story begins with Prince Caspian (Ben Barnes), nephew of Miraz (Sergio Castellito), the leader of the 'Telmarines,' the human population that is now the dominant race in Narnia, fleeing for his life when Miraz's wife gives birth to a son.
Miraz usurped the throne from the rightful King, Caspian's father, and now that he has an heir of his own, he wants Caspian out of the way for good. Meanwhile, back in London, Peter and his siblings are trying to adjust to life in the real world. Peter is getting into fights because he can't bear people 'treating him like a kid,' after growing to adulthood before leaving Narnia, only to return at the exact age he was when he first stepped through the wardrobe. But in less time than it takes to board the London underground, the Pevensie's are once again transported back to the magical kingdom - only it is not the place they left. Over a thousand years have passed, and the castle of Cair Paravel lies in ruins. As the children struggle to find out what has happened, they stumble upon a Dwarf named Trumpkin (Peter Dinklage), who is being taken prisoner by abusive Telmarine soldiers.
Susan, who doesn't seem to have had much opportunity to show off her finely honed archery skills at home in Finchley, eagerly takes the opportunity to rescue Trumpkin from his captors, and the surly old dwarf (whom Lucy and Edmund nickname 'The D.L.F.' , or 'Dear Little Friend,') explains that all is not well in Narnia. It seems that not long after the High King Peter and his siblings left Narnia, the land was plunged into a dark age, and the Telmarines have ruled for hundreds of years with an iron fist. The days of the many creatures, including talking beasts, living in harmony together, have long since passed, and no one has seen or heard of Aslan the Lion in centuries. And what's more, the trees are no longer friends to the Narnians - they are just normal, everyday trees. It doesn't take long before the children meet up with Caspain, who is hiding out in the forest with a misfit band of followers, and soon the young would be heroes join forces in a plot to reclaim Narnia for the Narnians, and place Caspian, the rightful heir, on the throne. The film moves along at a steady, exciting pace, with skillfully staged action and suspense that will have audience members on the edge of their seats, and while in general it stays very faithful to the source material, there is quite a bit of added embellishment to make for a grander and more spectacular epic, with added battle and chase sequences that are deftly handled and add to the story and the level of excitement, where in less skilled hands they could have easily overtaken it.
The level of action, and violence, is really quite a bit stronger than in the first film, and the film has a darker, grittier tone, which makes it something of a surprise that the filmmakers got away with a PG rating for what is clearly a PG-13 film. As mentioned before, the actors really step up to the plate this time, in particularly Keynes and Moseley as Peter and Edmund. But the most delightful performances come from the great Peter Dinklage (known for his brilliantly subtle turn in 'The Station Agent,' and perhaps best remembered as the diminutive author of children's books in 'Elf') and Reepicheep, a bold and chivalrous mouse (voice of Eddie Izzard), who really steals the show. The effects are absolutely top notch, and in the final third the movie reaches such a fever pitch of excitement that it recalls Peter Jackson's 'The Two Towers,' arguably the most exciting installment of the 'Lord of the Rings' trilogy.
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So, in the end, 'Prince Caspian' may not be the profound allegorical tale that 'The Lion, The Witch and The Wardrobe' was, or reach the same level of magical wonder, but it more than succeeds at what it sets out to do, and strongly indicates that there is a future in the Narnia franchise.